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The result is a film far choppier than the seas traversed by the titular vessel, a dragon-headed craft so spiffy and freshly painted that it could be installed in a theme park tomorrow.
#Narnia 3 movie series
But to a series convert or not, the signal flaw in the storytelling here is that everything that happens seems entirely arbitrary characters come and go and make decisions for no evident reasons, platitudes rather than credible motivations are provided for behavior, and no scenes are built up to or developed for more than a moment. It’s even possible that Lewis purists might be annoyed with this adaptation, given the extensive liberties that have been taken to alleviate the repetitiveness of the odyssey and to provide more excuses for elaborate and varied visual effects. But Disney saw the writing on the wall and decamped after global grosses dropped, first to second film, from $745 million to $420 million, the latter a figure Fox no doubt would be relieved to achieve given the yawny nature of this journey. The lure of 3D no doubt will spike box-office takings in the short term. Perfunctory perfectly describes every aspect of The Chronicles of Narnia: The Voyage of the Dawn Treader, from the by-the-numbers script and lackluster direction to uniformly uninspired performances.